The world is over. Frankly, it ended back in 2012, just as the Mayans predicted. This space we occupy now is a hell masquerading as normality, obscured by a digital purgatory of our own design. Under a deluge of old Vine videos and Tim and Eric, we tweet out into the vast macrocosm of 0s and 1s, trying to make a sound in an echoing expanse. A voice alone in the darkness is only so loud, however. But as a collective, unified in the desire to make the most out of this Internet-based absurdity, 2012 Bid Adieu is ready to be heard.

Jointly mobilized, the collective shows that there doesn’t have to be a great divide between the artist and the experiencer. We, too, can be the creators, finding tranquility in this buzzing, mixed up life by seeking it together. 2012 Bid Adieu is the kids on the Internet who finally feel like they have a home.

2012 Bid Adieu’s objective when making their debut album, We Died in 2012: This is Hell, was to make a genreless, funky concept record for the Nintendo generation, a fusion of 21st century electronic sounds that casts a net around a group of creative energy to help find respite in the simulation that is Earth.

Swiftly, Bid Adieu grew into a project not just about music, but furnishing an environment where interdisciplinary talents aren’t afraid to contribute to a greater ideal – and succeed.

Even though we’ve been here all along, welcome home. Welcome to Bid Adieu.

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