The two-faced “Can’t Tell It All” opens Hulvey’s debut album Christopher and, as stated by the artist himself, is intended to introduce both the sides of the project.

In fact, the track’s first part, which is driven by an energetic trap beat, sees the artist talk about his past experiences and represents his hip-hop influences, mainly spread over Christopher’s first half; on the other hand, the second part, which features a more laid-back instrumental (with a prominent sample from James Resse & The Progressions‘ 1969 song “It’s Not But So Much Love Can Do”), is a symbol of the Worship and Gospel atmospheres that influence the album’s second half.